Last night was a great example of "bad concert." Tye and I went to see French synth-shoegazers
M83 at Bowery Ballroom. Instead of a blown-through-the-back-of-the-theater experience, we received an education in all that can go wrong with a stage show. To be fair, neither of us really wanted to be out last night, but we felt obligated. I should also point out that we are both totally smitten with the M83 album. It's friggin' brilliant.
It all started with the opener,
Ulrich Schnauss. Problem number one: guy's name is
Ulrich Schnauss. He was also basically dressed like a mime. And his "setup" was a laptop and a little keyboard on a kitchen table. Now, this is already a huge problem. I don't care how talented you are and how complex and amazing your music is, if you're playing a show there should be something to look at. Otherwise you should just put on your album and go sit at the bar. (Tye mentioned an Autechre show that consisted of them turning off all the lights and "playing" in the dark... ouch.) On the other hand, when I said something about how boring an Aphex Twin show would be, he pointed out that the last time he saw them, there were giant teddy bears running around the stage, which was set up to resemble a fully furnished living room. Richard D. James himself was
under the coffee table playing with his electronic doohickeys.
Teddy bears, a stage set, and getting under a fucking table is a show! Anyway, our man Ulrich proceded to play...wait for it...
New Age Music!! I mean like Vangelis, Tangerine Dream, etc. And people were staring at this guy and clapping. Clapping. We were quick to point out that if the dude's name was Teddy Pendergrass and he was from Milwaukee, people would have been booing and throwing shit at him. Instead, he pulls the Sprockets routine and all the hipsters lap it up.
Anyhoo, M83 finally get onstage (at 11:00 p.m. on a schoolnight). They say nothing. They stand still. They sound exactly like their album. I gave them four songs and split.
The purpose of this story is this: Last night really got me thinking about the whole live music thing. Some bands have it, others should be locked in the studio for the rest of their lives. I mentioned the Aphex Twin story in anticipation of charges of
Rockism or punkophilia. Orbital shows (or even Stereolab shows) prove that your music can be pretty much canned, and you can still entertain. That having been said, if Ulrich Schnauss had finished his set and proceded to smash his keyboard, light it on fire, and smear peanut butter and broken glass all over himself, I'd be telling you how rad the guy is.
It's called showmanship, and I object to your band charging for live shows if you don't have it.Unfortunately, there remains one problem, one obstacle to the extinction of boring shows by knob-twiddlers and stand-in-one-placers: other musicians. Those trainspotting, effect-pedal-scoping, guitar-counting chord-watchers who stand in awe of a band's innovative use of tube amps. They fucking clap and yelp and encourage boring-band artisanship. Then they go home and masturbate to the Sam Ash catalog while the rest of us lament the unbelievably boring show we just stood through.
Which is a very longwinded way of saying "I hate boring shows." Look into teddy bears and peanut butter. Or at least learn to windmill on your guitar.
Parenthetically, "Shoegaze" is one of the best terms ever invented for a music subgenre. It's right up there with "Heavy Metal," "Slowcore," and "Pop" (obvious but perfect) in its understated humor and/or descriptive power. On the flip side you have "IDM" (Intelligent Dance Music???), "Electroclash" (obviously invented by a complete twat), and, yes, "Rock 'n' Roll." I'm sorry but "Rock 'n' Roll" is a pretty lame term if you think about it.
Speaking of bad music, someone gave
"America We Stand As One" a slight facelift.
It's obvious, but still pretty funny.